Genjiro was a samurai in the past, but he became a Yakuza, a dandy with a tattoo of red peonies, he helps his younger brother who is caught up in a conflict with Hatamoto.
Directed byRyō Hagiwara
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What to watch after Red Peonies on the Skin
A feature-film shortlist from the cached Film Atlas engine. The interactive map may include more titles or newer results. These are similarity matches, not a guarantee of age suitability.
A humble page fathers a child by the daughter of a clan official and is banished. Years later, the child, now a stable boy, is reunited with his father, but feudal codes threaten their happiness. Uchida’s poignant masterpiece condemns the inflexible class system and launches an indictment of values that favor symbolic objects over human life. The film’s focus is on character rather than swordplay, and charged performances - especially child actor Motoharu Ueki - add to the emotional power.
In this film, Hibari plays a dual role as brother and sister. The story involves a journey to Hanagasa for an incognito Lord (Kotaro Satomi) to overthrow an attempted usurpation of his domain, while being harassed by vassals of the usurper (Kensaku Hara). There's also a mysterious ronin played by Jushiro Konoe. The songs are seamlessly woven into the narrative and don't overwhelm the action. While the plot is derivative it is good example of its type and quite enjoyable. Note that there are some flashback sequences in black and white.
An exciting historical drama that dynamically depicts the life of Minamoto no Yoshitsune from the period of his stay on Mount Kurama to his reconciliation with his brother Yoritomo.
When master swordsman Mikogami Genshiro of the Ono fencing school returns to find that his ailing sensei has been murdered in the dead of night, he must find the culprit and exact revenge. His return sets off a series of violent incidents and incites a high ranked female skilled in sword to test his mettle after he unwittingly offends her. The ever delightful Misora Hibari co-stars with the great Tsuruta Koji in this exciting tale set in the earliest days of the Tokugawa shogunate. Lots of exciting swordfights highlight this entertaining motion picture!
In the third entry into this mega-hit series, Isshin Tasuke, a spirited fishmonger in Edo who looks just like Shogun Iemitsu undergoes a series of unforeseen troubles in his newly wedded life.
He was married to his lover's butterfly and started a new residence. But good things do not last. In his uncle, Uzaemon in Kawashima, Yoshiji Akaji, Yoshimoto's lender, and Kanehira Akagi, the older brother of the former loan of Mishima, played a challenge. It is said to open the ladies' room to the settlement of Wada island. Although Jiro headed to Shigetsugu for arbitration, he was forced to surrender. In such a case, Jiro became chased by Kinpei and others.
Young Lord Genjiro, who abandoned his castle to live as a commoner in Edo, returns home to restore peace amidst disruption over an inheritance dispute. Warned by a fortune-teller that he would die by the sword, the young lord must courageously battle 30 or 40 men who attack without warning. Meanwhile, his love affair with Kocho, a singer who is also a skilled archer.
The adventures of Aoi Shingo continue. Shingo is finally given permission to officially meet his father, the Shogun. However, his journey is disturbed by those who wish to claim his life. This is the third part of "THE 10 DUELS OF YOUNG SHINGO", following the first 2 parts (which were actually done as one movie). The tension mounts as young Shingo must face obstacles the like of which he had never before seen. And, can he avenge the death of his master? The man to whom he owes everything.
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