Dona Hermínia will have to rediscover and reinvent herself because her children are forming new families. This supermom will have to deal with a new life scenario: Marcelina is pregnant and Juliano is getting married.
Directed bySusana Garcia
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What to watch after My Mom Is a Character 3
A feature-film shortlist from the cached Film Atlas engine. The interactive map may include more titles or newer results. These are similarity matches, not a guarantee of age suitability.
Dona Hermínia is back, but now rich and famous since she is the host of her own successful TV show. However, the overprotective character will have to deal with her children's departures, as Marcelina and Juliano decide to move out. In counterpart, she will welcome, as a visitor, her sister Lúcia Helena, who's been living in New York.
After another spat with her kids, Dona Hermínia decides to take some time off from them and hides away in her aunt's house, where she reminisces about her kids in an age when they still needed her.
During the seventies, the massive arrival of television in the Brazilian countryside puts in jeopardy the business of running small movie theaters. Francisgleydisson is the owner of Cine Holliudy, and he must be extremely creative to keep his passion for cinema alive.
When she's about to fail in math – the subject she hates the most, Jasmine has to take booster classes with a cute young tutor, but who breathes numbers in everything he does. Facing family pressure and embarking on a risky love, she'll need to overcome her fears and limitations to pursue her true dream: be an artist.
Soon after learning of the death of his mother Pérola, Mauro returns to his old family home in Bauru (São Paulo, Brazil). A look back into his mother’s peculiar habits, her illusions, sense of humor, spirituality, and desire to control all things... with the love and tenderness that only distance and time allow. A reunion between mother and son: their conflicts, conversations, and dreams of a better life all converge in constructing a swimming pool in their backyard. It is a portrait of an ordinary family that fights, makes up, celebrates, cries, and carries on, full of stories just like any other.
Pérola is a children's party entertainer who dreams of becoming a renowned chef. She just hasn't gone out yet to fulfill her dream because of wanting to please her mother and family, but her "bit of luck" comes when she is approved to be an assistant to a famous chef on a television show, who, in addition to being famous and successful, is extremely handsome (and seductive), which makes the job easier.
Why it connects
strong genre and movie-style overlap
a closely matched era
shared production studio: Downtown Filmes, Telecine, Agência Nacional do Cinema - ANCINE, Globo Filmes
After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.
Andrea, a successful veterinarian who loves her job and is in a relationship with Lucio, an up-and-coming lawyer who grew up in the country. Lucio has some news for Andrea: his mother is turning 60 and is throwing a big party to celebrate. Andrea visits the town where Lucio was raised for the first time and would like to become very close to his family, especially her new Mother-in-law Blanca, who is an overprotective mother, ultra-conservative and always thinks she’s right about everything. Andrea tries to fit in by tolerating all her quirks and harsh treatment during the torturous weekend.
Bacurau, a small town in the Brazilian sertão, mourns the loss of its matriarch, Carmelita, who lived to be 94. Days later, its inhabitants notice that their community has vanished from most maps.
Film Atlas combines story similarity, movie metadata and TMDB relationship signals. Shared studios can support a match; audience and film-format safeguards help avoid poor fits. The explanations above come from the engine’s recorded evidence—not invented reviews.
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