In the 1980s, a boy named Hajduk moves with his family from a small village to the capitol of Yugoslavia, where he's going to start spreading his way of honor and true values.
Directed byMilan Todorović
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What to watch after Hajduk in Belgrade
A feature-film shortlist from the cached Film Atlas engine. The interactive map may include more titles or newer results. These are similarity matches, not a guarantee of age suitability.
In communist Czechoslovakia in 1980, 15-year-old Mara dreams of leaving her village to study in the city and become a pilot. But her father, a widowed Ruthenian farmer, insists she stay and work the land. When her village faces destruction due to a new dam, their generational conflict intensifies, revealing the struggle between tradition, identity, and the desire for freedom in a context of historical change.
In the hope of creating a better life, 6-year-old Maja and her parents leave Yugoslavia for Denmark, leaving behind Maja’s two older brothers with the promise they will join once the family is settled. But the new country proves difficult and unfamiliar, and the family struggles to adapt to a new language, culture, and way of life. As the years pass, Maja grows up and becomes a successful artist in Denmark, yet beneath her achievements, she carries a divide of joy, sorrow, and gratitude—torn between the life she has built and the painful sacrifices her parents made for their future.
When a school trip leaves a group of teenagers stranded far from home, the recent suicide of a classmate begins to expose the fractures, loyalties and secrets holding them together.
Victor has a nice life in Madrid with his partner, José. However, after returning to his childhood home in the mountains of Bulgaria for his grandfather's funeral, he decides to stay for the summer. While reconnecting with his father and the village way of life, he unexpectedly finds love in the form of Liuben, an 18-year-old Roma boy. Despite their differences, and the conflicts surrounding them, Victor and Liuben find refuge in each other, while a romance begins to take form.
A well-known writer now aged 75 is aware of his increasing age and the risk that his literary style will grow worn. His everyday existence is enlivened by characters from his stories, who tend to enter reality in unexpected ways, at various stages of completeness and with all kinds of strange demands.
The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.
Raša is 30, lives with his alcoholic father and trying, and failing, to make ends meet by giving literature lessons to teenage girls and hosting a program on the local radio, presenting new books and interviewing authors. Ivan, a promising judo fighter in his teenage years, has since had a history of neurosis, psychotic episodes, hospitalization, being heavily medicated, involvement in various occult groups and practices, prior to having been baptized in the Orthodox Church.
A simple story of an ex-convict who comes home after 10 years, only to find two squatters in the form of a woman and her autistic daughter. Though Lazar initially plans to kick out Jasna and Jovana, he changes his mind after seeing the squalid conditions of the shelter they are to move into. It is an allegory of the Balkan wars. When first released in Serbia, it caused some public outrage because of the sharp criticism of Serbia's role in the war.
Ex-soldier Marko storms into a supermarket and takes all the cashiers hostage because one of them insulted his grandmother. One of the cashiers is Jagoda, a self-conscious country girl in her late 20s or early 30s who thinks that she passed her "expiration date" long ago. A surreal situation jazzed with comedy stunts helps Marko and Jagoda find their places in the world.
Film Atlas combines story similarity, movie metadata and TMDB relationship signals. Shared studios can support a match; audience and film-format safeguards help avoid poor fits. The explanations above come from the engine’s recorded evidence—not invented reviews.
A similarity match is different from a quality rating. Use the map to explore the connections and decide what fits your mood.
