Soo-hyun, who has recently moved into a new house, buys a used washing machine through a second-hand app but finds out it doesn’t work. Annoyed by the seller’s irresponsibility, she leaves a comment calling the seller a con man, and reports it to the police. Little does she know that the seller is a psychopathic serial killer who uses an online second-hand market to lure his victims. Her comment renders his hunt for a new victim all but impossible so she becomes his next target. She starts receiving obscene phone calls, countless unwanted food deliveries, and strange men knocking on her door looking for a good time. A trip to the sender’s address proves deadly serious when the police and Soo-hyun find a man’s dead body.
Directed byPark Hee-kon
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What to watch after Don't Buy the Seller
A feature-film shortlist from the cached Film Atlas engine. The interactive map may include more titles or newer results. These are similarity matches, not a guarantee of age suitability.
Kyung-min lives alone in a one-room apartment. One day, she finds traces of a stranger breaking into her room and soon a mysterious murder case begins to unravel.
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Jin-seok, 21-year-old, moves into a new house with his family. He suffers from a slight schizophrenia but he carries an ordinary life under the warm care of the family. His older brother Yu-seok is a decent college student, a mentor, and role model for Jin-seok. One night, his beloved brother is kidnapped by unidentified assailants before Jin-seok's eye. Jin-seok can’t recognize their faces, but can remember only the VIN that matches with no car. After long silence of 19 days, suddenly Yu-seok returns home, but remembers nothing which had happened in the meantime. And soon Jin-seok feels Yu-seok is a total stranger.
After people in his town start turning up dead, a grumpy landlord is visited by a man who recounts an unsolved serial murder case from 30 years ago that may hold the clue to what is happening now.
Film Atlas combines story similarity, movie metadata and TMDB relationship signals. Shared studios can support a match; audience and film-format safeguards help avoid poor fits. The explanations above come from the engine’s recorded evidence—not invented reviews.
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