Misanthropic novelist François writes gripping crime stories – “Agatha Christie meets The Scarlet Pimpernel” – but outside of the swashbuckling imaginary world of his Marquis la Rose-novels, life is far from thrilling. His partner Colette, a professor at the Sorbonne and world-renowned expert on Alfred Hitchcock, is tired of watching François sit around their apartment in his pyjamas and yearns for the excitement of the classic films she watches with her students. When Colette begins to suspect their flamboyant actor neighbour of murdering his wife, the couple’s mundane lives are turned upside down – and their stale relationship is jolted back to life.
Directed byRémi Bezançon
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What to watch after Bazaar (Murder in the Building)
A feature-film shortlist from the cached Film Atlas engine. The interactive map may include more titles or newer results. These are similarity matches, not a guarantee of age suitability.
In 1930s Paris, Madeleine, a pretty, young, penniless, and talentless actress, is accused of murdering a famous producer. Helped by her best friend, Pauline, a young, unemployed lawyer, she is acquitted on the grounds of self-defense. A new life of fame and success begins, until the truth comes out.
Following the disappearance of the glamorous and secretive Evelyne Ducat during a blizzard in the highlands of southern France, the lives of five people inextricably linked to Evelyne are brought together to devastating effect as the local police investigate the case.
One of the members of a gang of thieves commits a serious mistake that force them to work for a ruthless gang of drug dealers, endangering the future of the team, their lives and those of their families.
An overlooked pencil-pusher catches her husband in bed with another woman, the shock of which causes him to die of a heart attack. So she buries his body and takes advantage of the growing celebrity status that comes from having a missing husband. But she quickly finds herself in over her head, dodging cops and criminals, all while trying to keep the truth from her sister, a local news anchor who’s desperate for a story.
Marguerite has no reason to refuse the church’s annulment of her marriage to Fred. She also has a new partner with whom she has a child. However, to convince the church that their previous marriage was doomed from the start, Marguerite and Fred must examine their shared past.
Since 2014, France's restorative justice programmes have offered a safe space for supervised dialogue between offenders and victims. Grégoire, Nawelle, and Sabine, victims of heists and violent robberies, agree to join one of these discussion groups alongside offenders Nassim, Issa, and Thomas, all convicted of violent robberies. Meanwhile Chloé, a victim of childhood sexual abuse, prepares for dialogue with her own agressor after learning he has moved back into town.
When Myriam, the mother of two young children, decides, despite the reluctance of her husband to resume her activity in a law firm, the couple is looking for a nanny. After a severe casting, they hire Louise, who quickly conquers the affection of children and gradually occupies a central place in the home. Gradually the trap of mutual dependence will close, until the tragedy.
After 20 years of marriage, Maria decides to leave her husband. She moves into room 212 at the hotel across the street, with a bird’s-eye view of her apartment, her husband and the life she shared with him. While she wonders if she made the right decision, many of the people in her life offer their opinions on the matter. They intend to let her know, whether she likes it or not, on what proves to be a life-changing evening.
Artist Antoine has lost all inspiration and slipped into alcoholism since the death of his wife Irène, a loss he blames himself for. Suzanne is a penniless sideshow performer pretending to be a clairvoyant, whom Antoine consults in a bid to connect with Irène. Antoine’s dealer Armand, desperate to keep Antoine from falling apart, urges Suzanne to keep the ruse alive. She stages a series of improvised hypnosis sessions, claiming she can channel Irène in exchange for having her debts paid by Armand.
Film Atlas combines story similarity, movie metadata and TMDB relationship signals. Shared studios can support a match; audience and film-format safeguards help avoid poor fits. The explanations above come from the engine’s recorded evidence—not invented reviews.
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